Clouds and darkness are round about him, * righteousness and justice are the foundations of his throne [on earth as in heaven].
Rejoice in the Lord, you righteous * and give thanks to his holy [, hallowed] Name. –Psalm 97: 2, 12
If your prayer life is anything like my own, you will have found that our praying lives are often littered with ever shifting seasons, fresh insights, old wounds that continue to sting, and ever expanding and contracting horizons of the heart. Perhaps, too, you will have found that even the most familiar phenomena can take on new valences and, to our surprise, unveil themselves in a beautiful complexity to which we had previously been blind. The ‘Sermon on the Mount,’ from which our gospel pericope comes this morning, has often been for me a site of this very ‘unraveling of the familiar’—a place where the real limitations of our spiritual vision meet the scandalous, expansive, sometimes terrifying truth at the heart of all things.
For many of us, the words of the Lord’s prayer contain an inestimable, unqualifiable freight. These words—so dear, so familiar, so second-nature—stir the gaze of our hearts toward the One whom Jesus invites us to name “Our Father,” and articulate in six remarkably short petitions some of the deepest content of the “hope that is in us.” And yet, as with anything we live in close proximity to, the very familiarity of these words can sometimes obscure this prayer’s true power to transform us and its radical challenge that seeks to summon us beyond our illusory sense of self-dependence.
Sing to the Lord a new song. The Psalmist exhorts us to sing a song we’ve never sung before. Certainly, it may come to us in fragments—a gesture here, a motif there—and sometimes (if we’re feeling particularly confident) we may even begin to think we know how this strange new air goes. Yet this isn’t a song we or the world are used to hearing, and we may often feel ill-trained to sing it; but that’s probably because we are.
As the ear of our prayer adjusts in the fullness of time, we begin to realize that this new song, from our vantage, requires a kind of virtuosity for which we alone lack the dexterity of heart; and we realize we will not learn this song on our own. And still, there comes also a sense, somewhere deep within noisy mystery of ourselves, that we have known this strange song we’ve never sung before.
Sing to the Lord a new song.
“Who do you claim to be?”
“Before Abraham was, I am.”
I find myself routinely struck by John’s almost continual emphasis on who Jesus is—a matter of identity so central not only to Jesus’ earthly ministry, teaching, and subsequent rejection, but also to our very lives and identities as people of God. And our pilgrimage of conversion, I think it’s fair to say, ultimately depends on this question of identity—of our identity, not as defined for us by the worldly clamor for competing creaturely goodness, or our traditions, our nationalities, or our social standing, but as a reflection of the image of the One who desires for us nothing less than a share of the Divine Wholeness.
From In the beginning was the Word, to the final admission that the author cannot possibly contain the importance of Jesus’ appearance in one volume, John’s Gospel narrates us into a salvation that depends upon our truthful recognition of who Jesus—and, ultimately, the One whom he calls “Father”—is.