Isaiah 61:1-4, 8-11; Luke 1:46-55; 1 Thessalonians 5:16-24; John 1:6-8, 19-28
If you have been worshipping with us with any regularity this Advent you will notice a slight variation this morning in our liturgical colors. The traditional Sarum blue is normally flanked by earthy green and highlights of crimson, all colors that represent the mystery of the Incarnation; that is, God becoming flesh and blood, putting on our human vesture in the womb of Mary, the Mother of Jesus. Just as future parents prepare themselves for the birth of a child, so this season of Advent is a time for prayer, recollection, and getting our lives in order in preparation for the birth of Jesus at Christmas. But today, the Sarum blue is complimented by swatches of velvety rose to signify the third Sunday of Advent which is known as ‘Gaudete’ Sunday. Gaudete, the Latin word for “Rejoice,” is the first word we hear in both the Introit[i] to today’s Mass from St. Paul’s letter to the Philippians: “Rejoice in the Lord always, again I say, rejoice,” as well as the Epistle from his letter to the Thessalonians: “Rejoice always, pray without ceasing, give thanks in all circumstances.” Gaudete Sunday is a day of rejoicing!
Read by Br. Curtis Almquist, SSJE
I Thessalonians 5:18
I have a memory of my 5th-grade teacher asking us to write a short paragraph describing the things in our lives for which we were thankful. I don’t recall any of the specifics of that assignment, but I do recall having a terrible case of “writer’s block.” I sat for the longest time just staring at that piece of paper. I couldn’t think of a thing for which I was thankful.
Recalling it now, it seems shocking to me that a 5th-grade boy growing up in suburban America, with plenty of food and warm clothes and a comfortable home and a loving family, couldn’t think of anything for which he was thankful. I was surrounded by gifts, but I didn’t recognize them as gifts, and so I couldn’t begin to express my gratitude for them. I suppose I naively assumed that everyone had food and clothing, a loving family and a comfortable home. I was unaware of how privileged I was to enjoy these things on a daily basis, and simply took them for granted.
Marina Abramovic has spent many hours of her life completely motionless, silent, and fasting. She has endured voluntary poverty and physical pain for the sake of her vocation. She is not a nun or a mountaintop hermit, but a performance artist – sometimes called the “grandmother of performance art.” Born in Yugoslavia in 1946, her childhood was shaped by the Eastern Orthodox spirituality of her grandmother and the intense, communist discipline of her distant parents. Her performance pieces, most of them ephemeral or time-based, explore the limits of the human body and the mind. All of them challenge our cherished definitions of art. In 2010, Abramovic performed a piece at the Museum of Modern Art in New York City, entitled “The Artist is Present,” part of a retrospective of her forty years of work. For this, she sat motionless and silent in the center of the Museum’s atrium surrounded by four bright lights. An empty chair stood opposite the artist, in which anyone who cared to was invited to sit and engage in a silent, mutual gaze with her. Abramovic was present in this way for three months, six days a week, for 7.5 hours a day. While the curator of the museum advised her to be prepared to face a frequently empty chair, her simple offer to be unflinchingly present touched a collective nerve and awakened a widespread hunger. That chair would be occupied by a total of 1,545 people, many of whom lined up before the museum opened or slept on the pavement to get a spot in line. People smiled uncontrollably, laughed or silently wept. Each face was met with the same gentle, mysterious, steady gaze, in a physical environment that framed each encounter as a moment of art enfolding a moment of life. Of the piece, Abramovic said, “The hardest thing is to do something which is so close to nothing that it demands all of you, because there is no story anymore to tell, no object to hide behind. There’s nothing – just your own, pure presence.”