Out of their gloom and darkness, the eyes of the blind shall see.
When I was about twenty-four year old, I encountered the film adaptation José Saramago’s novel, Blindness, and Advent returns my mind to Saramago’s gripping allegory. Blindness chronicles the harrowing story of a handful of characters who, along with citizens of their unidentified city, become stricken with an inexplicable, contagious blindness. As the condition spreads, an epidemic is declared and those afflicted by “the white sickness” are quarantined in a filthy, overcrowded asylum. When the protagonist’s husband, an ophthalmologist, contracts the condition, she joins him in captivity by lying to the authorities about her health: she can still see. Within the asylum, conditions deteriorate quickly. When food becomes scarce, an armed ward of the asylum seizes what rations remain and terrorizes the other wards with unspeakable cruelty. “The doctor’s wife” eventually frees the small band, only to discover the whole world stricken.