In her short story Revelation, published in 1965, Flannery O’ Connor offers the reader a detailed psychological and spiritual portrait of a character named Ruby Turpin. Mrs. Turpin is a “respectable, hard-working, church-going woman,” white, middle class, and Southern. The story is set in the cramped squalor of a doctor’s waiting room, where an array of white characters – elderly and young, well-to-do and poor – are waiting to see the doctor. The omniscient narrator gives us a particularly intimate portrait of the thoughts that run through Mrs. Turpin’s head and heart, revealing an elaborate, personal hierarchy of class, race, and social status. As the story unfolds, Mrs. Turpin’s interior judgments roil and seethe. The casual conversation she makes with other patients slowly reveals the painful web of classism and racism in which they are all unconsciously enmeshed. And Mrs. Turpin’s running, interior dialogue with Jesus reveals the ways that she uses prayer to validate her prejudice, thanking Jesus for placing her exactly where she is and making her who she is and not like the others she has deemed inferior.