One of the appealing characteristics of Father Benson, but also surely one of the more baffling for many, perhaps also for you, was his grasp of a heavenly reality, in the midst of a worldly existence. We know the famous story of the old woman, when asked is she could understand his preaching responded, that gentleman just opens heaven to me, and I can look right in.
Over and again, Father Benson calls us to an awareness of this heavenly reality. He writes, [do] I realize to myself that as I pray, I am truly in heaven, and that I ought to be experiencing the joys of heaven? If we would but look to heaven with more consciousness of present joy therein, we should find its power to set us free from earthly difficulty.
It is this consciousness of the present joy of heaven that was a motivating factor in much of his life. Reading Philippians, as we do today, he would have been perfectly comfortable with the notion that our citizenship is in heaven, and it is from there that we are expecting a Saviour, the Lord Jesus Christ. He will transform the body of our humiliation, that it may be conformed to the body of his glory, by the power that also enables him to make all things subject to himself.
Luke 6: 39 – 42
There’s a lot going on in this sixth chapter of Luke’s gospel. It begins with two different teachings about the sabbath. It includes the calling, and naming of the twelve apostles. We hear Luke’s version of the Beatitudes, here given as a Sermon on the Plain, rather than Matthew’s more popular Sermon on the Mount. And then it ends with a collection of teachings, or sayings, perhaps gathered from a variety of occasions, and put together by Luke, as a sort of catalogue of teachings.
What we have this morning are three of those teachings lumped together. One about the blind leading the blind; another about a disciple and their teacher; and the third about the speck and the log.
Out of their gloom and darkness, the eyes of the blind shall see.
When I was about twenty-four year old, I encountered the film adaptation José Saramago’s novel, Blindness, and Advent returns my mind to Saramago’s gripping allegory. Blindness chronicles the harrowing story of a handful of characters who, along with citizens of their unidentified city, become stricken with an inexplicable, contagious blindness. As the condition spreads, an epidemic is declared and those afflicted by “the white sickness” are quarantined in a filthy, overcrowded asylum. When the protagonist’s husband, an ophthalmologist, contracts the condition, she joins him in captivity by lying to the authorities about her health: she can still see. Within the asylum, conditions deteriorate quickly. When food becomes scarce, an armed ward of the asylum seizes what rations remain and terrorizes the other wards with unspeakable cruelty. “The doctor’s wife” eventually frees the small band, only to discover the whole world stricken.
The short story writer Flannery O’Connor enjoyed a loyal but circumscribed following of readers during her lifetime. The life and career of this brilliant young woman, a devout Roman Catholic who spent much of her life in Milledgeville, Georgia, ended in 1964 when she was just 39 years old. Since then, her work has increasingly gained the literary recognition it deserves. Her stories weave together penetrating insight, acerbic humor, irony, and subtle allegory. Unlikely prophets abound and God’s grace lurks in absurd encounters.They are stories that deliver a visceral shock of self-knowledge for the reader with “eyes to see and ears to hear.” All of this of course, should sound like familiar terrain to us followers of a certain story-teller from ancient Galilee. In a talk given to a group of young writers, O’Connor offered the following words about the art of short story writing:
When you write, your beliefs will be the light by which you see, but they will not be what you see, and they will not be a substitute for seeing. For the writer of fiction, everything has its testing point in the eye, and the eye is an organ that eventually involves the whole personality, and as much of the world as can be got into it. It involves judgment. Judgment is something that begins in the act of vision, and when it does not, or when it becomes separated from vision, then a confusion exists in the mind which transfers itself to the story.[i]